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Matthew took Ruth and Henry into the forest to explain his newly enhanced hearing, nearly every sun-dappled shot of Spacek makes it look like she’s surrounded by a heavenly aura. During one long sequence, flashing back to the day when Rev. The director Greg Yaitanes - working from a script credited to the “Castle Rock” co-creator Sam Shaw - helps bring a cinematic richness to the look of “The Queen.” There’s a luminous haze throughout the episode, both inside the Deaver house and in the woods. She’s actively engaged, questioning the choices she made in her marriage and the warning signs she missed about Matthew, and feeling frustrated that her mind keeps wandering just when she’s trying the hardest to stay focused. Ruth’s not just witnessing her own past, or passively reliving it.
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Sissy Spacek’s performance as Ruth keeps these fragmented moments within a sturdy frame. Matthew Deaver, and explains how the pastor almost committed suicide when he began to suspect his wife’s affair with Sheriff Pangborn, but instead channeled his heartbreak into a tireless pursuit of “the voice of God.” The bulk of the hour looks back at the last days of the Rev. While the episode plays fast and loose with chronology, it’s not hard to follow the story.
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It’s designed to make the audience feel as mixed-up as she does - not about what’s happening, but when. “The Queen” is a thrilling experiment in nonlinear narrative, slipping as casually between the past and present as Ruth does. Trying to pin down exactly where in the timeline this episode begins and ends isn’t easy. This week fills in some of what happened in the interim, between the moment when the Kid found Ruth kneeling on the floor surrounded by spilled medication, and Alan’s arrival. The previous episode ended with Alan Pangborn walking into a house that had been completely trashed. “The Queen” picks up roughly where last week’s episode left off: “The Kid” has just escaped a mental institution and returned to the Deaver homestead, where he’s vaguely threatening Ruth.
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Because Ruth can’t distinguish between memory and reality any more, for her, the dead are no longer staying dead. And sometimes she walks into her kitchen and sees her late husband Matthew … a man she never really wanted to talk to again. Sometimes, for example, she wakes up to find her dead dog Puck in her bed, having just deposited a squirrel’s remains on her pillow. In “The Queen,” we see the world through the eyes of Ruth Deaver, who recently told her grandson Wendell that she no longer experiences time in a straight line, moving in one direction. The outstanding seventh episode of this “Castle Rock” season offers a particularly jazzy variation on that theme. From “Pet Sematary” to “It” to “The Dark Half,” if there’s one idea King keeps returning to, it’s that nothing stays buried forever. Much of what the author has written in the past 40-odd years could carry that same name. The story’s title alone is so evocative, so creepy … so Stephen King.
#Impulse season 1 episode 7 recap movie#
One of Stephen King’s best-known 1970s short stories is “Sometimes They Come Back,” which spawned a 1991 TV movie and two straight-to-video sequels.